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This music plays an important role in the narrative, when four space garbage collectors investigate an emergency signal leading them to a traumatised opera diva, who has locked herself into her holographic memories which – as in Tarkovsky’s Solaris (1972) – become hallucinatory nightmares for our helpful crew.
Most striking about the much more light-hearted Stink Bomb by studio Madhouse, about a none-too-bright laboratory assistant who, by randomly mixing medicines, unwittingly turns himself into a chemical weapon, is its origin as a true story (look for ‘Gloria Ramirez’). Directed by Tensai Okamura (known for series such as Wolf’s Rain, 2003), with a script by Ōtomo himself.
Final short Cannon Fodder, also by Studio 4°C and directed and scripted by Ōtomo, is notably designed as an almost continuous single take. Which provides a sense of space to the steampunk animation’s European-looking world, which revolves entirely around the firing of huge cannons at an enemy who may or may not exist.
And – the most important common thread of this varied triptych – our protagonist is once again a simple worker who is being subjected to the machinations of a heavily armed power.
Relationship drama? Demonic massacre? Romcom? Supernatural adventure story? It’s the nineties, so: it’s all of the above! Toei Animation’s adaptation of Yuzo Takada’s manga series has something for everyone: from budding teen romance to bloody dismemberment – luckily, our Yakumo is immortal. Now, he only has to help that kawaii three-eyed demon become human.
The most Miyazakian film by Makoto ‘the new Miyazaki’ Shinkai (Your Name., 2016) is slightly less romantic than usual, instead focussing more on learning to cope with death and solitude. We enter a gorgeous, multicultural underworld, to which our young female protagonist Asuna and her kawaii cat Mimi are irresistibly drawn.
Successful coming-of-age story by anime giant Mamoru Hosoda follows nine-year-old runaway Ren and gruff beast Kumatetsu fighting, arguing, and slowly discovering the true meanings of strength, anger, and loneliness. After which, Ren will have to choose between romance in modern-day Tokyo and a beast kingdom rather resembling feudal Japan.
Groundhog Day meets video game. Each time the aliens kill Rita, her day starts over again. As if she wasn’t depressed enough already.
Wonderfully energetic adventure story marked the first collaboration between director Isao Takahata and his protégé Hayao Miyazaki – later founders of Studio Ghibli. With its mythological source material (an epic of the indigenous Ainu) and socialist message (well received by 1968’s students), Horus became known as the first ‘grown-up’ anime.
Even though narrator Yuki fears this might get laughed off as a mere fairy tale, director Mamoru Hosoda has given us a grounded and deeply empathetic film, drawn from his own childhood and mother, who raised him as a single parent.