Credits

Regie

Taras Dron, Petr Armyanovsky & Philip Sotnychenko

Land

Ukraine

Taal

Ukranian

Ondertiteling

English

Storyline

Black Mountain (2016)

12-year-old Yurko lives in a remote mountain village with his mother, as his father went to work in Poland. Yurko’s struggle to keep his father’s truck turns into a story of premature coming-of-age.

Black Mountain as seen by Ukrainian critic Hanna Datsiuk:
The boy is restlessly waiting for his father, who left for work in Poland. But as time stretches on, the absence becomes heavier. Yurko’s mother, unable to break the truth, lets him hold onto the illusion. His father’s abandoned truck in the yard becomes a silent symbol of hope and a battle he refuses to lose.
Shot on film and set against the breathtaking backdrop of the Carpathian Mountains, Black Mountain captures the weight of waiting and the ache of growing up too soon. Taras Dron’s film is not only an ambitious attempt at a poetic reimagining of the Ukrainian village, but also a powerful narrative about the other side of emigration – the perspective of those who, in the end, were left behind.

Running time: 18 min.
Genre: Drama
Director: Taras Dron

Mustard in the Gardens (2018)

Olena comes back to her childhood village, now located on the front line in the “grey zone” of the Donetsk region. After her mother’s death, the house was abandoned, and the war changed everything around it. Olena walks through the garden, where her brother once planted mustard, reflecting on memory and war…

Mustard in the Gardens as seen by Ukrainian critic Hanna Datsiuk:
Pyotr Armyanovsky’s documentary is centered around a monologue of a girl who processes the past, touching every small detail of her childhood home as both happy and tragic memories are awakened. The house itself is a key symbol — it stands literally at the intersection of war and peace, the past and the present. Despite its underlying bitterness, Mustard in the Gardens is incredibly moving and full of life. Human memory transforms the concept of home, and Olena’s childhood story serves as a springboard for deep reflections on the destruction of a once-familiar world.

Running time: 37 min.
Genre: Documentary
Director: Petr Armyanovsky

Nail (2016)

Valentyna works as a lawyer in a Bank in Liechtenstein. She lived in Kyiv until the age of 13. In 1996, during a hard transitive economic period in Ukraine, Valentina emigrated to Switzerland with her mother and stepfather. 20 years have passed. From the director of La Palisiada, presented at the last year’s edition of our festival.

Nail as seen by Ukrainian critic Hanna Datsiuk:
Nail tells the story of two time periods in Valentyna’s life. In 1996, she left Ukraine as a teenager, hoping to become a professional violin player. In 2016, she’s visiting Ukraine again as a successful lawyer based in Liechtenstein. Shot as a mockumentary/found footage, Nail builds the contrast between times, places, and languages. From a farewell family dinner filled with 1990s symbols of the post-Soviet era to a new life abroad, it explores the invisible ties and becomes almost a literal trip to the past.

Nail itself is a revisiting of the unique directorial approach of Philip Sotnichenko, whose recent full-length feature La Palisiada (2023) received rave reviews and was awarded the FIPRESCI prize at the Rotterdam Film Festival.

Just like La Palisiada, this short film plays with memory and time, blending documentary aesthetics with artistic expression. A family gathering in 1996, the traditional Olivier salad on the table, adults talking in the kitchen — all of this becomes the starting point for a story about departure and return. Through the combination of old VHS recordings and carefully reconstructed scenes using media from the past, Nail has established itself as one of the most interesting explorations of the post-Soviet period in Ukraine and the narrative of “making it by leaving.”

Running time: 35 min.
Genre: Drama, Experimental
Director: Philip Sotnychenko

Speakers & moderator:

Alexander Zwart is a film journalist (FIPRESCI member) and film programmer. Raised by a Dutch father and a Greek mother, he has always been intrigued by multicultural angles and diversity in cinema as well as in life.

Hanna Datsiuk is a film critic, co-curator of Kyiv Critics’ Week, lecturer of the course on cinema at the Cultural Project, and one of the curators at the SWEET.TV streaming platform.

Moderator:
Jeroen Stout is a radio documentary commissioner, sound recordist, and festival moderator, including for IDFA. Jeroen Stout began his career as a journalist and film critic for NTR at Radio 1. He won the Prix d’Italia in 2006 for his radio documentary Lee de Forest – Spirit of the Pioneer.