Lars von Trier: Melancholia (2011)

Hoezo in Kino

Danish enfant terrible Lars von Trier has throughout his career made a habit of throwing ‘the cat amongst the pigeons’ of the European arthouse scene and beyond. As co-founder of the purist Dogme 95 movement, whose films were known for their bleak worldview and controversial subject matter, von Triers films have always thrived on the tension between chaos and control, where he’s sought to defy and disrupt what he regards as conformist norms of filmmaking. His deeply confrontational films – and his equally provocative public persona – have been both greatly admired and fervently debated and challenge audiences both emotionally and psychologically. His visually poetic cinema puts to celluloid a haunting, troubling vision of the human condition.

Regie: Lars von Trier

Cast: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland

Genre:

Drama, Sciencefiction

Land: Denemarken, Zweden, Frankrijk

Speelduur: 135 minuten

Taal: Engels

Kijkwijzer:
12A

Lars von Trier’s Melancholia, a meditation on depression and the end of the world, stars Kirsten Dunst as an emotionally troubled newlywed named Justine, whose sister Claire (Charlotte Gainsbourg) throws her a lavish wedding party. While her lack of emotional stability begins to take a toll on Justine’s new marriage as well as the party — and old wounds are exposed — Claire’s wealthy husband John (Kiefer Sutherland) also knows a great deal about a planet that is on a possible collision course with Earth, further muddying the waters. The second half of the movie focuses on Claire, who ends up taking her sister in after the marriage collapses, and also begins to fear that John is hiding apocalyptically bad news.